Johnny Gruelle was born ‘John Barton Gruelle’, on 24th December 1880, in Arcola, Illinois, U.S.A. He was an American artist, political cartoonist, children’s book author, illustrator and songwriter. Gruelle is best known as the creator of Raggedy Ann and Raggedy Andy.
At the age of two, Gruelle moved to Indianapolis, Indiana, where his father Richard Gruelle (1851 – 1914) came to associate and exhibit with the ‘Hoosier Group’ of painters. The ‘Hoosier Group’ was a group of Indiana Impressionist painters working in the late nineteenth and early-twentieth centuries, primarily known for their renditions of the Indiana landscape. This early artistic upbringing had a great effect on the young Gruelle, with legendary figures such as the best-selling poet and author James Whitcomb Riley (1849 – 1916), being regular guests at their home.
John Gruelle’s cartoons first appeared in print in the Indianapolis Star in 1905. From 1906 to 1911, his cartooning work appeared in many newspapers, usually signed as ‘Grue’, including the Toledo News-Bee, the Pittsburgh Press, the Tacoma Times, and the Spokane Press. After he beat 1,500 entrants to win a cartooning contest sponsored in 1911 by the New York Herald, Gruelle created Mr. Twee Deedle, which was in print from 1911 to 1914.
One day, Gruelle gave his daughter (Marcella) a dusty, faceless rag-doll – which she had found buried in the attic. He drew a face on the doll and named her Raggedy Ann. Marcella played with the doll so much that Gruelle figured other children would like the doll too. This was the birth of Gruelle’s emblematic piece of Children’s literature.
by Patricia Hall
Copyright 1999, Patricia Hall
All rights reserved
John Barton Gruelle was born in Arcola, Illinois in 1880. At the age of two, his family moved to Indianapolis, where his father, R.B. Gruelle, became known as one of the Hoosier Group of Impressionist artists. By his early teens, John Gruelle already knew he was a cartoonist. During a train-hopping adventure to Cleveland, Ohio in 1894, his caricature of a beat cop named Tom McGinty so impressed the officer that he supposedly offered to stake Gruelle while the boy sought cartooning work at a local newspaper. As it turned out Gruelle did not stay on in Cleveland (although he would return to live there years later). But after this experience, a career spent painting landscapes and portraits like those his father rendered seemed far less appealing than one spent turning out pithy little funnies for a living.
In 1901 the 20-year-old Gruelle landed his first newspaper job, at the gossipy Indianapolis tabloid, the People. There he worked for several months creating rough-hewn "chalk-plate" portraits. By April 1902, Gruelle had moved on to the more mainstream Indianapolis Sun , while managing also to do work for the Detroit-based Peninsular Engraving Company.
In June 1903, Gruelle was hired at the nascent Indianapolis Star as the paper's first assistant illustrator. His three years at the Star were interrupted by nine-months spent at the rival Indianapolis Sentinel. Once back at the Star, in 1905, Gruelle accepted a freelancing job with World Color Printing Company of St. Louis to produce four-color Sunday comics, a connection he continued after relocating to Cleveland in 1906 to work for the Cleveland Press and the Newspaper Enterprise Association. During these years, Gruelle would turn out as many as ten cartoons each week, his style steadily growing more expert and refined.
Although most of his early newspaper work was aimed at adults, by 1908, Gruelle had begun producing newspaper features for children. After winning a national comic drawing contest, Gruelle went to work for The New York Herald in early 1911. Although he would continue creating for adults, his most important audience became children, whom he kept entertained with resplendent "Mr. Twee Deedle" Sunday comic pages.
Once "Mr. Twee Deedle" was in print, it wasn't long before Gruelle was receiving commissions from a wide array of monthly and weekly magazines. His distinctive cartoons, illustrations, and illustrated stories appeared regularly in such well-known publications as John Martin's Book, Physical Culture, Illustrated Sunday Magazine, McCall's, The Ladies' World, and Judge.
It was his illustrating work that led him to create a distinctive, whimsical design for a doll named "Raggedy Ann," which he patented and trademarked in 1915. Gruelle was soon pitching book ideas; ultimately, he connected with the P.F. Volland Company, a juvenile publisher in Chicago. In 1918 Volland published Gruelle's Raggedy Ann Stories and also introduced a matching character doll, and the rest is history. More Raggedy books and dolls followed, and Gruelle eventually became known as "The Raggedy Ann Man."
Even after venturing into the lucrative world of juvenile book illustrating and writing (and achieving fame as creator of Raggedy Ann and Andy) Gruelle's newspaper and magazine work remained vital outlets for him, providing not only welcome income, but also a forum in which he explored an extensive range of illustrating and writing interests, in full view of hundreds of thousands of readers of all ages and persuasions.
In 1922, Gruelle's serialized "Adventures of Raggedy Ann and Andy" stories premiered in newspapers across the country. He continued providing artwork to adult magazines such as Life, Cosmopolitan, and College Humor, and kept up with his illustrated juvenile features, which appeared in Woman's World and Good Housekeeping. In 1929, Gruelle's full-color Sunday comic "Brutus" began what would be a nine-year run, and by 1934, his illustrated "Raggedy Ann" newspaper proverbs were in national syndication.
By the time of his death in 1938, Gruelle's Raggedy characters, dolls, and books were known throughout the world. However, his newspaper and magazine works had also kept Americans amused for nearly four decades, and Gruelle had become extremely well-regarded in cartooning and illustrating circles. Of all the worlds he moved in (and in spite of his celebrity as the Raggedys' creator), magazine and newspaper work was ultimately what most gladdened Johnny Gruelle's heart.
Copyright 1999, Patricia Hall. All rights reserved.